SZNUR - Cwel review

 

SZNUR - Cwel

Godz ov War Productions

I first got into this Polish band back in 2021 with their third full length Dom człowieka. Back then I called em misanthropic Black Metal with talent. Yeah I know that some misanthropic BM fans probably took it the wrong way but come on be honest. Be that as it may SZNUR already have a bad reputation to say the least. Here's their logo which some weak people will find offensive but not me.

Then there's this band photo of three members which looks like a Polish Black Metal version of The MENTORS. Once again it's no problem with me.

As far as this new album goes SZNUR have taken their early brutal BM style and added a huge touch of progressive atmospheric BM. But it's a rip roaring balance of the two. The song structures deliver a great amount of brutality via Polish anger with added melodic touches which I find cool as fuck.The diabolic lead guitar soloing is killer as fuck. 

In the end SZNUR's latest full length is beyond a winner in my not so humble opinion. This is Polish Black Metal in 2026 to get your hands onto. It's an amazing release.  

http://godzovwar.com/

LISTEN HERE:

https://godzovwarproductions.bandcamp.com/album/cwel

GRAVEIR - The Festering Triad review

 

GRAVEIR - The Festering Triad

Apocalyptic Witchcraft Recordings

A few years back I had written a review in which I described the band as great modern day Black Metal. I sent it off to the label rep. He responded with the question "What's modern day Black Metal?" So I sent an email back explaining to him that modern day Black Metal in my opinion is not old school sounding and it's not hipster shit which is non metal but uses certain BM elements to fake it.

Modern Black Metal keeps the essential genre elements while also incorporating a variety of other extreme or prog Metal influences. The end result is a sound that not only is interesting but compelling to hear as if your life depended on it. His reply to that was "I like that!" Speaking of which here's a release by a band that falls into everything I've just said. 

GRAVEIR is a five piece Black Metal act hailing from Brisbane, Australia. In all honesty 99.9% of Black Metal from Australia is gonna be a winner with me as far as my history goes. This band started out in 2014 and this release here is their third full length so far. I've blasted this one for a week straight and found it to be a unique piece of work. Just thinking of it musically you're gonna hear violent attacks, morose atmosphere, prog like melodies and down right pain. 

Vocalist Gloom sings as if he's being lowered into a boiling cauldron of oil at certain times. Other instances he's screaming as if wanting to kill you and dance on your corpse. The guitar work by Snjor (aka: Dane Perry) and VVoid (aka: Chris Jackson) is over the top exciting, I mean whether it's the intense riffs, the few diabolic solos, the headbanging riffage or the almost symphonic song structures. These two guys combine to make an awesome sound.

If there's one thing I don't care for on this release is a few times where the drum work has that beating on a box snare sound. Overall the drum work on here is killer as fuck because XI (aka: Kris Wolf) is punishing as well as filling in at precise moments which are key to certain cuts. Sorry to bassist Pandora (aka: Alahna Bassett) but you're not heard in the overall mix. 

Be that as it may this release is the epitome of Black Metal in 2026. It is why I mocked hipster scribes in the past who thought their ilk would define the genre's future. Ah no because it was always going to be people into Metal who would be Black Metal's future. So hey pick up this release and enjoy the hate. It's one of the best hates this year.

https://apocalypticwitchcraft.co.uk/

LISTEN HERE:

https://graveircult.bandcamp.com/album/the-festering-triad-2

RISE OF KRONOS - Slaves Of Time review

 

RISE OF KRONOS - Slaves Of Time

Self-Released

When I saw this was Death Thrash from Germany it peaked my interest. Before I get into this release let me explain a few things. There are two types of Death Thrash. First off you've got the US version which is the cornerstone of the genre because of the early DM bands. Later on you had other acts, my favorite being RIGOR MORTIS, who turned it into a cool Extreme Metal genre. 

Then you've got the European version of Death Thrash which came later and if I'm gonna name drop I would say the very early era of Poland's VADER kicked it off. So here we have the fourth full length by Germany's RISE OF KRONOS. Prior to this the band was on MDD Records in Germany. But this one is a self release. 

Musically there's some cool things to say about this release as well as some bad shit. As far as that goes bassist / vocalist Tom Robinson has a damm good growl vocal style which is in modern tradition. He even squeaks in some venom tipped vocals to boot. The drum work is questionable since there's little organic work being done. Plus Robinson's bass lines are hardly heard. 

The guitar work as far as powerful riffage is decent but the soloing (dive bomb style) is generic. Be that as it may I'm shocked, shocked I say that RISE OF KRONOS are an unsigned band. Where's Metal Blade or Nuclear Blast at? But hey great album cover.

LISTEN TO AND BUY IT HERE:

https://riseofkronos.bandcamp.com/album/slaves-of-time

GROND - The Temple review

 

GROND - The Temple

Xtreem Music

So here we have the third full length by this Russian Death Metal / Death Doom act. Trust me right now I'm thinking of that Fawlty Towers episode where you don't mention the war. Be that as it may the tag line on this is Lovecraftian inspired Death Metal / Death Doom. In all honesty I've heard / seen this tagline starting back a few decades ago. It was originally a hipster tagline. I'm still waiting for a Steven King inspired Death Metal / Death Doom act. 

But hey H.P. Lovecraft, who I read in my mid twenties and scared the crap out of me, is gonna be the influence in modern day Death Metal, again then let's give it a real check out. I mean for two decades Dark Descent Records has been pumping out releases by bands who consider themselves H.P. Lovecraft influenced Death Doom. So here's a fucking shocker. GROND are pretty damm good on this album.  

There are plenty of things which I like about this release. First off is the drum work which is phenomenal. The vocals are of that savage beast wanting to tear your ass apart. The guitar work as far as the dense riffage is diabolic. But the guitar solos are insane. Combined this is a whole package of greatness in hatred. GROND is the band every SOB Extreme Metal nut bag should be listening to right fucking now.   

https://shop.xtreemmusic.com/english.main.index.php

LISTEN HERE:

https://xtreemmusic.bandcamp.com/album/the-temple

SHEWOLFF - We're All Gonna Fukkin' Die EP

 

SHEWOLFF - We're All Gonna Fukkin' Die EP

Dying Victims Productions

As far as the whole sub genre of Blackened Punk goes I've found myself being a staunch critic of it. Personally I think 90% of it sucks. Most of the bands wish they were Blackened Thrash but don't have the talent. But once in a great while I'll hear a band that fits the whole Blackened Punk sound perfectly. Belgium's SHEWOLFF is one of those bands. 

Starting out a few years ago SHEWOLFF was a solo project by singer / guitarist K. Von Shewolff. Afterwards it became a three-piece band with Jeffrey Andreka on bass and Liam Wyns on drums. So musically this trio are all into a more Punk version of HELLHAMMER meets G.G. ALLIN. Which is a given since the HELLHAMMER demos, the first BATHORY album and of course VENOM were favorites by people who were really into Punk & Hardcore back in the day. And of cause we liked G.G. ALLIN.

On here songs like "Fantastik Fukk", the title cut and opener "Eternal Night" are cool as fuck. But then again this whole six song release is a fucking winner in my book. But I wanna hear more by this band. A great start here is my verdict. 

https://dying-victims.de/

LISTEN HERE:

https://dyingvictimsproductions.bandcamp.com/album/were-all-gonna-fukkin-die

PURE WRATH - Bleak Days Ahead review

 

PURE WRATH - Bleak Days Ahead

Debemur Morti Productions

This is the fourth full length by this Indonesian one man Black Metal act PURE WRATH. A few years ago I picked up the third full length, Hymn to the Woeful Hearts, which originally came out in 2022. It was in a store, it had a great cover plus the band name was cool as well as the release being on Debemur Morti Productions. I mean everything said yeah this was gonna be great. Musically it was standard Atmospheric Black Metal not much different from French or Quebec acts. I mean hey just look at the label they're on. But hey I liked it a lot.

So here we are with this newest one. And for the record the one man behind PURE WRATH is Ryo (aka: Januaryo Hardy) who is responsible for all instrumentation. Just for the record he uses plenty of keyboards as well as audio sound-bites. Also Ryo is involved in at least a half dozen other Indonesian Metal acts. So to call him prolific is a given.

While listening to this new release I can easily say compared to his previous full length this one has a darker touch. Ryo's vocals are always harsh with a emphisis on anger and despair. So the way the first two title tracks, Parts one & two, come at you is with fierce tremolo picked icy riffage but also toss in breaks of melodic keyboard moments. The other three tracks fall into the same depressive meloncolly trope.

This is late night Black Metal for depressive types who've given up on everything except being creative in their misery. It's that bare light bulb illuminating very little in a darkness that is put there by personal choices. Still it's another good release by Ryo. Although I'm really a fan of Hymn to the Woeful Hearts. In fact before I checked out this new one I ended up playing Hymn to the Woeful Hearts five times in a row that night. Go Figure?    

https://www.debemur-morti.com/en/

LISTEN HERE:

https://purewrath.bandcamp.com/album/bleak-days-ahead

INEPSY - No Speed Limit for Destruction reissue review

 

INEPSY - No Speed Limit for Destruction reissue

Tankcrimes

Back in 2008 a good friend of mine turned me onto this Canadian act with their first full length, Rock ‘n’ Roll Babylon, which came out in 2003. To me this is one of the best match ups of DISCHARGE and GBH meets MOTORHEAD and TANK. The band's second album, City Weapons, which came out in 2005 was decent. 

But this album, which originally came out in 2007, is when the band dropped the Hardcore influences and went straight up Hard Fuckin Rock n Roll. I mean the opening track is "Rock 'n' Roll Is the Only Way". And if that wasn't an obvious introduction to where this band was headed then you were an idiot. This was basically MOTORHEAD lite which at the time the band said was a change to a more Rock n Roll style. 

Now I'm not going to get into what people years ago said about this album whether good or bad. To me it just doesn't fuckin matter. If this was the first album by this band I heard I'd be like hell yeah. I mean ya got the gruff real guy vocals sorta Lemmy like. Of course there's plenty of other singers which come to mind. Be that as it may the songs just rock the fuck out. 

Just blast this album and tell me your head doesn't bang a bit. Do you find yourself tapping your hand on your knee? And what about some air guitar moments, do you kick into that as well? Well I do and that's why No Speed Limit for Destruction is a must have release. If you don't own it already then here ya go. 

https://www.tankcrimes.com/

LISTEN HERE:

https://tankcrimes.bandcamp.com/album/no-speed-limit-for-destruction